As some of you may know, we here at splatterjunkie.com like to celebrate a little holiday called October 4th: Horror Independence Day—a day honoring independent horror filmmaking. Since we invented the holiday, we’re pretty much the only ones who celebrate it, so in the interest of spreading awareness, here’s a peek at what went down on the first-ever October 4th celebration.

First of all, there are four October 4th traditions: 1.) watching an indie horror movie, 2.) contributing a little cash to an independent filmmaker, 3.) the baking of a Shamble Pie, and 4.) the splatterworks display. We began the evening with an adventurous foray into baking as we created the first-ever Shamble Pie, which is basically any damn thing you want stuffed into a Filo crust.

To slightly modify Richard Nixon’s famous line: I am not a cook. I have never been a cook. I have no aspirations of being a cook in the future. The Shamble Pie emerged from the oven looking a bit like a crying slug, if you can imagine that. Biting into the thing, I was immediately relieved that it wasn’t as foul-tasting as its appearance would suggest. However, after finishing my slice, I realized that perhaps I had gone overboard with the cheese and suddenly felt the deadly onset of cheese overdose. I enjoy cheese, but my god, the flavor of it was so ferocious that it numbed my face, left me nauseous, and utterly ruined Gruyere for me, possibly forever. And so, I came to the conclusion that perhaps the baking of Shamble Pie is not the best of traditions after all, as I certainly don’t want people to associate violent disgust with October 4th.

Fortunately, no one else was foolhardy enough to try eating the crying slug and so the other guests were spared my fate. Fortifying myself with strong drink, I rejoined the others in the living room where we were preparing to engage in the traditional watching of an indie horror movie. While we were at the Alamo City Comic Con (coverage on that soon) we were able to get ahold of a movie called Sanitarium, featuring direction from San Antonio local, Bryan Ortiz. Since we had purchased the movie directly from their booth, we considered that as our financial contribution to independent filmmaking, thereby fulfilling the donation tradition. I would tell you more about the movie, buy you’ll just have to wait for our review to come out 😉

After watching the movie and having ordered more palatable food, we went outside to enjoy the splatterworks spectacular. For those of you that don’t know, a splatterwork is simply a firework with a blood-pack wrapped around it; it’s our own bloody take on fireworks. I could tell you about our splatterworks display, but why not just watch the video here: https://www.youtube.com/watch?v=hnGCVkXdopU

And so, the first October 4th celebration came to pass, a small and humble affair, but one that we hope will be carried on in the years to come, by ourselves and perhaps by others. We love October 4th because we love indie horror, because it adds a little bit of awesome to the beginning of the month, and most of all because it gives people a reason to come together and bask in the glory of the macabre one more time per year. So if you love indie horror or just can’t wait for Halloween and want to start the party early, then please, join us in celebration next year when October 4th comes creeping by again.

The very first October Fourth celebration has come and gone and we here at splatterjunkie.com celebrated in grand style! We will soon be posting an article on our little celebration, in the hopes that it will inspire others to join us next October 4th in the horror festivities. For now though, we have a  new video in our Video Dungeon of the splatterworks spectacular that we put on during our party! Enjoy!

Event Coverage: San Antonio Monster-Con 3

by: Pontifex Aureus

The Wonderland of the America’s Mall (formerly Crossroads Mall) is a funny place. Despite it’s new, loud-orange paint-job, the unmistakable vibe of the 80’s still haunts the place; you can see it in the odd bits of neon pink and turquoise that still remain here and there. It must have been a real beauty in its time, but like many older malls, Wonderland had had the symptoms of Dying Mall Syndrome for many years. The place was a ghost town—no people, empty shops; its decay was a sad thing for those who still remembered its glory days. The next step would have been to quietly go out of business, but astonishingly, that never happened. Somehow or other, the mall lingered on, refusing to die, and eventually a new kind of life seeped back into the place.

Rather than returning as a regular mall, Wonderland came back different; it has become like the public access version of a mall where everyday-people can go in there and open up shop. This has given rise to some truly unique and quirky stores that you’d never see in your average mall. It is also home to the Santikos Bijou, San Antonio’s only full-time art-house movie theater. You’ll find a different kind of crowd at Wonderland; you’ll find seekers of the odd and the hard-to-find. So it’s no wonder that out of this new atmosphere came the San Antonio Monster-Con.

The Monster-Con is a natural continuation of Wonderland’s spirit of indie oddity. Unlike most conventions, the Monster-Con is absolutely free to attend; there’s no bracelets, no passes, just show up and enjoy two days of horrific entertainment and shopping. It is very low key so you won’t find any huge prize-giveaways and you’re not likely to see Robert Englund there anytime soon, but that’s what I really love about it. It has a certain DIY rawness to it, like a horror-style flea market, that makes me feel truly close to the local horror scene. There’s no excessive gloss and flash standing between you and the people there.

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Monster-Con, now in its third year, is still a relatively new institution, but it has grown by leaps and bounds. There were easily twice as many vendors there this time as compared to the first Monster-Con and the variety of merchandise was wonderful. You could find collectible toys, books, comics, and original artwork. Among my favorites was a delightful Victorian hat shop called Caveat Emptor that made some really excellent hats, with the ladies hats being particularly stylish and elaborate.

And in addition to the visiting vendors, there’s also the aforementioned quirky shops native to the Wonderland Mall. For example, those of you who are really into dressing up for Halloween might consider heading over to Creeping Beauty, Inc. Creeping Beauty is a makeup and hair salon with a horror twist; in addition to the more traditional salon services they offer, the ladies there can also deliver top-quality horror makeup. They have done work for movies and professional photo shoots as well, so if you’re a filmmaker or a photographer, go check them out.

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Wonderland is also home to a true underground San Antonio legend: Creepy Classics. I initially discovered Creepy Classics some years ago at their old location on San Pedro avenue—a small, creepy shack of a building containing golden VHS treasures. Since then, they’ve gotten considerably bigger. In addition to movies, they also sell a variety of horror-themed memorabilia and collectibles. They regularly tour horror conventions and are, in fact, one of the major sponsors of Monster-Con itself.

There’s lots more to do at Monster-Con besides shopping of course. Like any good convention, Monster-Con has its share of panel presentations and celebrity guests. Among the guests this year was Billy Blair, who has been in movies such as Sin City: A Dame to Kill For and Machete. Billy hosted a panel of his own where he discussed his recent work on the upcoming film Blood Sombrero. Extreme Horror author Tim Miller, whom we mentioned in our Horrific Film Fest article, was there as well and to give a presentation on writing horror fiction—invaluable information for those looking to get into horror writing themselves. Other panels touched upon topics as varied as ghost hunting, prop-making, and cyberpunk culture.

Monster-Con was also host to the 5 Minutes of Fear mini film festival, which I really got a kick out of. Held in its own viewing room, the mini film festival featured horror movies limited to a 5 minute running time, so you get an intense, rapid-fire horror experience within a very small amount of time. The films ran continuously back-to-back so you could pop in and out whenever you liked, which was good because there were lots of other things to see and do. For example, there was the zombie pin-up girl costume contest, where local ladies got the chance to get zombied-out and then gussied-up in their best retro pin-up attire. Monster-Con visitors were also treated to a musical performance by the young men of San Antonio’s School of Rock.

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All in all, the Monster-Con is a great destination for San Antonio-area horror-lovers. The only thing I can say against it is that there is perhaps just a little too much of a sci-fi element for what is primarily a horror convention. Admittedly, the sci-fi and horror genres have always been known to be frequent bedfellows, but in those cases, I think of the movie Alien or John Carpenter’s The Thing. I certainly do not think of Star Wars. I felt that the frequent lightsaber battle displays that occurred on-stage, though enjoyable, somewhat detracted from the horror vibe of the con. But don’t let that dissuade you from going, the Monster-Con is still a great example of underground, independent horror togetherness and you owe it yourself, San Antonio, to go out there next September and feel the horror love.

Our First Video!

Posted: September 30, 2014 in News
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Hello fellow horror fiends, some of you may have noticed that our poor Video Dungeon has been empty and neglected for some time now, but no longer! We have just posted our first video, a How-to on making a simple Splatterwork for the upcoming Fourth of October celebration.

So go ahead and head over to our Video Dungeon or simply look it up on You Tube under the splatterjunkie channel.

Happy Fourth of October! And if any one out there is inspired to celebrate our new holiday, please send pictures of your October Fourth Festivities to splatterjunkie@gmail.com and we will post them on the site.

For those of you who missed our post on October Fourth, here’s the link:

https://splatterjunkie.com/2014/09/15/october-4th-celebrating-horror-independence/

One of our greatest goals here at splatterjunkie.com is to quantify gore in order to make comparisons between movies. One way we have done this is with our Gore Quotient, which is a measure of the proportion of screen-area that is occupied by blood throughout a given movie. With the Gore Quotient, we are able to quantitatively tell if one movie is bloodier than another movie and by how much.

What we can’t tell at the moment is if a given movie is bloodier than average or not. We don’t know what the average amount of bloodiness is for a horror movie and we can’t calculate this average without calculating many more Gore Quotients. How many more Gore Quotients? Well, using IMDB’s advanced search feature, we looked up the total amount of feature film and direct-to-video horror releases between the years 1890 and 2014. The number we came up with was 18,480. That’s 18,480 total horror movies made worldwide since 1890.

Normally, to calculate an average, you would add up all your numbers and then divide by the amount of numbers, but 18,480 is way too much to sort through. So instead of dealing with all those movies, we simply take a representative sample from which we can determine what is true of the larger population of horror movies. Our total population is 18,480 and using the wonderful sample-size calculator at http://www.macorr.com, we were able to determine that a representative sample with a 95% confidence level and a 5% confidence interval would consist of 376 movies.

That means that we would need to calculate Gore Quotients for 376 movies in order to calculate the overall average amount of bloodiness amongst all horror movies. With a sample size of 376, we could be 95% sure that the average we get from the sample is true of the whole population of 18,480. Once we have this representative sample, calculating the average bloodiness would only be the beginning; we could perform all manner of statistical tests with our data and we could be 95% sure that our findings would be true of all horror movies.

For example, if we wanted to see how many horror movies feature most of their kills in the last 30 minutes, we could look at our Kill Graph data, determine how many movies meet that criteria, and then calculate the percentage. Let’s say that we find that 40% of our 376-movie sample (with confidence level 95% and confidence interval 5%) features movies where most of the kills occur in the last 30 minutes, then that means we can be 95% sure that between 35% and 45% of all horror movies have most of their kills in the last 30 minutes. Granted, there’s a lot of room for error between 35% and 45%, but our accuracy will steadily improve as our sample of movies grows. Long-term, we’re aiming for a confidence interval of 2%, which would decrease our error substantially. For that level of accuracy, we would need a sample size of 2,125 movies.

We’re not there yet, but one day we’ll reach our first goal of 376 movies reviewed and then we can get really get our statistics on. We are working toward a total understanding of gore, both to satisfy the curiosity of the average horror-junkie and to advance the study and knowledge of horror movies as a legitimate research area. That’s something you won’t find at any other horror review site. We are splatterjunkie.com, spread the word–Horror Through Math!

Hello one and all, we would like to introduce to you our new movie reviewer, Jenicide, who has just written and published her review of the 1978 classic, Halloween. So go ahead and check it out!

We would also like to announce the first successful test-run of our Fourth of October celebration splatterworks. For those of you who don’t know, October 4th is the day we celebrate independent horror filmmaking, and we celebrate by popping our own version of fireworks, which we call splatterworks. Very soon we will be posting a How-to video where we will teach you how to make a simple splatterwork and then show you the actual explosion. So watch out for that!

For more info on Fourth of October, check out this previous post:

October 4th: Celebrating Horror Independence!

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Reviewed by: Jenicide

October is near. Yes! Our favorite month of the year is approaching. So what better time to get to a favorite upon many horror fans than a review on the 1978 classic, “Halloween”?

When it comes to horror films, John Carpenter’s Halloween is considered by many as a holy grail of a horror movie; one that introduced the iconic masked killer, Michael Myers. More than likely, if you are reading this, you know how the movie goes, but to be consistent in our reviews, here’s a quick synopsis for you: A young Myers is left in the care of his older sister, Judith, whom he murders in cold blood on Halloween night, 1963. Fast forward fifteen years later, Myers, having been under the care of his psychiatrist Dr. Loomis, (played by the late, great Donald Pleasance) makes his move and escapes. Loomis realizes the evil nature of his patient and is hell-bent on recapturing Michael, whether he gets support or not. Now back in his hometown of Haddonfield, Myers stalks three high school girls who are unaware they are now his targets. Particularly the level-headed, reserved Laurie Strode (Jamie Lee Curtis’ film debut). Their Halloween turns from a carefree evening of babysitting and teenage hi-jinks to death and terror.

Halloween Girls Michael Myers Young

So what made “Halloween” such a beloved masterpiece? It relies on basic ingredients and excellent execution; the suspense factor, a creepy score (composed by Carpenter), and great acting. The suspense is played out beautifully throughout and reaches a crescendo during the final game of cat and mouse between Michael and Laurie. Adding to the suspense is the spine-chilling music featuring those edgy, stinging notes that are now so iconic. The acting is subtle and effective with extra points going to Nick Castle for his nuanced performance of Michael Myers; he is able to convey mysteriousness and an animal-like quality all under a blank, emotionless mask. He is not a man, he is an evil presence in the shape of a man; the fact that he is even credited as The Shape shows that he is not to be understood as a human character, but as a malevolent force of nature. All these elements combine to create a dark atmosphere that makes this film scary without the need to rely on buckets of blood.

Ghost Michael Myers Tombstone

“Halloween” was made cheap but with a lot of love. It only had a $300K budget, with the director maintaining full creative control of the film and with hardly any special effects at all. It simply utilizes pure fear under circumstances that could happen to the average person in an average town. You could relate with some characters; they could be your friends, the kids you babysit, or so forth. Many members of the crew were friends of Carpenter and the late producer Debra Hill, so they all pitched in when needed. And today, it still ranks as one of the most successful independent motion pictures ever.

Of course, there are the sequels and the remakes that stemmed from this film. Some entries, building on Myers’ inhuman character, present him as being literally supernatural (is he? Or isn’t he? Was this really implied in the original film? Oh, so much to think about!), and delving deeper into the roots of his madness while upping the gore factor. This leads to great discussions/debates on the character and the quality of the series…but we can get into that in another review.

Loomis Gun Myers Face Emerge

Overall, “Halloween” is an excellent film and a must-see on your horror movie bucket-list, if you have one, or if you’ve been living under a rock. This film proved it could terrify you without bloody guts or massive gore. Michael Myers became a household name in the horror realm, alongside other characters under the new slasher sub-genre, where the movie monsters were redefined by putting them in human form. Not to mention catapulting Jamie Lee Curtis into her classic “scream queen” status that led to a steady career in the mainstream world. Donald Pleasance’s career was also affected as he went from playing villain-type characters to avenging Loomis-type roles which continued until his passing in 1995. Plus, John Carpenter, who achieved notoriety after this, went on to make more classics throughout the 1980’s and 1990’s that we will be sure to review in due time. As one of the early films that helped define the elements of the slasher genre, Halloween is well respected and highly recommended for your viewing pleasure.

Updated Splat-Stats Info

Posted: September 19, 2014 in News
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Very soon we will be updating our Splat-Stats info page in order to make it a little more readable and a little less technical. The original info posts will still be available under the “Info” category, for those of you who wish to see them.

Also, in light of the recent arrival of two new contributors to our offices, we will be adding author names to every article and review from now on.

Things are moving along swiftly here at splatterjunkie.com and it’s only going to get better, so keep your eye on us and we’ll do all we can to keep raising the bar.

Hello wanderers of the Internet wasteland! We here at splatterjunkie.com are striving to bring you more and more content just as quickly as we can, but calculating Gore Quotients is hard, tedious work! As such, we will be adding two regular contributors to our staff—which, in fact, currently consists of just me, Pontifex Aureus, referring to ourselves in the first-person plural as always.

We will have one new movie reviewer, who will soon be treating us all to a review of the 1978 classic Halloween. Also joining us will be a video-game and music reviewer who is currently crafting a review of the smash-hit survival horror video game, The Last of Us.

Look for these articles soon and don’t forget about our upcoming, brand-new feature: Movie Executions! More on that later.

Movie Review: Ravenous

Posted: September 16, 2014 in Reviews
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Bare Hands, Knife, Tomahawk, Black Powder Revolver, Musket, Mallet, Cavalry Saber, Log, Pitchfork,

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Reviewed by: Pontifex Aureus

Every now and then a weird little oddball movie will pop up and truly surprise me. Ravenous, at first glance, looks like your run-of-the-mill cannibal in the woods movie, but not so; instead the movie takes a slight supernatural turn as the cannibals literally gain strength and heal wounds from eating human flesh, making this feel almost like a vampire movie. And while a dark, gritty tone would have been perfectly acceptable, the movie surprises me again by taking a bit of a humorous bent; not all-out comedy, but certainly tongue-in-cheek.

During the Mexican-American War, Captain Boyd is punished for cowardice by being transferred to the worst post possible, Fort Spencer, an isolated little shack out in the western Sierra Nevada Mountains. Just as Boyd is getting adjusted to his new surroundings, a shaggy-haired man comes stumbling out of the woods with an incredible story of survival and cannibalism that leads Boyd and his fellow soldiers to mount a dangerous rescue mission into the woods.

Bad Ass Boyd  Ives on the Hunt

Like I’ve said, this is no ordinary cannibal movie; these cannibals can get stabbed, shot, and skewered and still come after you just as long as they can get their hands on some fresh meat. In fact, these cannibals are actually Wendigo. As an American Indian recounts in the movie, when a man eats the flesh of another man, he steals his spirit and gains his strength, becoming a Wendigo. However, the effects don’t last and the eating becomes like a drug habit; the Wendigo is forced to keep feeding, becoming hungrier the more he eats.

Yum Yum Crazy Face Deadman

It’s a very fresh premise and I absolutely loved the hero, Captain Boyd, who is so atypically unheroic. He is in fact a coward and proves it more than once in the movie; he also happens to be a cannibal (don’t worry, I’m not giving anything away, as this fact is revealed early on). Yet despite all that, he eventually finds the strength to stand against his enemy (and his own cravings) and ends up being rather likable. The villain is no less remarkable as he transforms from a raving lunatic to an implacably cool and manipulative devil-in-disguise. You’ve got to love a villain so megalomaniacal that he compares his hunger to manifest destiny. The interplay between Boyd and the villain keeps the movie moving along briskly in between massacres.

RUN Knox Stew

Speaking of massacres, there’s a good helping of blood to be had here, but nothing wildly over-the-top. There’s a few spilled guts here and a little flesh-eating there. The best parts are really the implied cannibalism; any movie that can make eating stew seem gruesome is doing something right. And I have to mention the outrageous soundtrack. The music was probably the first cue I had that this was going to be something special. It’s an off-kilter hodgepodge of wheezy concertina, demented banjo picking, and sprightly fiddle—a hillbilly nightmare of a soundtrack that ranges from manically cheerful to rabidly ferocious.

A truly original and entertaining movie all around but the real meat of the film is the battle of wits between Boyd and the villain, since the other characters (aside from the delightful Jeffery Jones as Colonel Hart) are mostly disposable kill fodder. If you’ve got a meat-tooth for cannibal mayhem, Ravenous serves it up extra-rare.